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Movie Mondays #11 – Children of Men

As part of our Ultimate Playbill project, each week a faculty member will take the time to extol the virtues of one of the beloved films on this list. This week, I tackle IP’s #5 pick, Children of Men (2006, Cuarón)

I’m not going to lie, the beginning of the aughts was not a good time for science fiction. By this time, The Matrix had already killed its goodwill with overtly explanatory monologues by Col. Sanders in sequels, Tim Burton had butchered a classic Planet of the Apes remake by subbing in Mark Wahlberg for Charlton Heston, and for some reason we adapted an Isaac Asimov story starring Will Smith sporting Converse. There were a couple of bright spots but they seemed to fade quickly.

Then in 2006, like a lighting bolt, sci-fi returned. Without a doubt, the biggest release and Christmas present to viewers everywhere was Alfonso Cuarón’s Children of Men.  10 years from the release, the precise accuracy of the predicted direction of the world makes it an even better science fiction film and all the more important.

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