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Falcon

Despite Marc Guggenheim’s comical abuse of the term “legacy” in recent issues of X-Men: Gold, there are two other corners of the Marvel Universe that I fully expected the publisher to focus on in this new initiative. And, appropriately, in Week 2 of Marvel Legacy, the camera pans wide to take in the scarred landscape of Captain America and The Fantastic Four. There may be no character dealing with more trauma from Secret Empire than Sam Wilson, and Falcon #1, by Rodney Barnes and Joshua Cassara, is an especially poignant opener to a series that refuses to stand up for the anthem, as it were.

Sam has given up the shield and mantle of Captain America, and he’s back in costume as the Falcon, patrolling the streets of Chicago with the new Patriot, Rayshaun Lucas. Their first order of business is an attempt at dealing with a simmering gang war, but their real mission statement seems much broader, and far more daunting. Nick Spencer did a fine job reflecting the sociopolitical turmoil in this country in the pages of his two Cap books, and deserves commendation for persevering despite backlash from racist retailers and closed-minded readers (I mean, fer crissakes, this just happened last weekend). But now he passes the torch to Barnes, and he’s not holding back, or sweeping anything under the rug. “Legacy” may be the operative term, but Marvel’s recent editorial shifts to diversify its character base and shake up generations of white male super-icons is not only admirable, it’s imperative.

Steve Rogers has his own shit to figure out; that’s not Sam’s problem any longer. He does, however, have to deal with the fact that the most trusted human being on the planet just committed the biggest act of betrayal, and, right now, disillusionment with the superpowered set is at an all-time high. Especially when you’re dodging bullets in the South Side.

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