As part of our Ultimate Playbill project, each week a faculty member will take the time to extol the virtues of one of the beloved films on this list. This week, I tackle IP’s #3 pick, HANNA (2011, Wright)
On the misty, snow covered tundra, a lump of white reveals itself as a swan. From the air, we see an inlet of deep blue water lazily circulating frozen shoals. An arctic fox pup peaks out over its belly before cutting to a young woman aiming her bow at a grazing deer. She quickly and quietly lets an arrow fly into the deer’s breast, which then hobbles off into an open plain. The young woman pursues the creature as it collapses from its mortal wound. “I just missed your heart,” she states before firing a pistol, mercifully killing her prey. As the loud blast rings out from the silence, it simultaneously cuts to a title card which imposes itself over the entire screen. The young woman and the film are called “Hanna”.
In the first two minutes of this movie, we’re introduced to a grand idea that helps carry the entire film, one that is so deftly illustrated by its execution that it’s hard not to accept as being truthful: the world is a wondrous place, the world is a violent place. Continue reading Movie Mondays #12: HANNA