Tag Archives: MCU

Four Color Primer: Sersi & The Eternals Part 1

Chloé Zhao will be directing Marvel’s forthcoming Eternals movie

With the recent news that Marvel Studios is developing The Eternals as the next major entry into the MCU, as well as the focus on The Celestials in Jason Aaron and Ed McGuinness’s new Avengers series, the selection of this year’s longbox excavation and research project was pretty easy. I’d long been fascinated by Jack Kirby’s concept of the three branches of humanity (adding Deviants and Eternals to our own lineage) ever since I pored through Mark Gruenwald’s Official Handbook of the Marvel Universe in the 80’s.

I’d had a working knowledge of the group, and of course followed Sersi during her tenure with the Avengers, as my inner teenage fanboy followed me off to college, but until now I’d never pieced together the formation of The Eternals, and hadn’t appreciated the extent to which Kirby’s vision had evolved in the decades since their inception.

from The Official Handbook of the Marvel Universe – Deluxe, #4 and #11 (1986)

The latest in our series of Four Color Primers unravels the origins and development of The Eternals, with a special emphasis on Sersi, historically the most interesting and active of this band of demigods. The aim with these posts has always been to function as a character survey (hopefully less convoluted than your average Wikipedia article, albeit almost always more verbose) that puts a primary consideration on the historical progression of concepts and stories passing from one creative team to the next, rather than a strict fictional biography. This is especially pertinent for The Eternals, whose original conception places their origin a million years in the past, a timeline that has seen refinement and elaboration from numerous writers and artists since Kirby first introduced us to the group in 1976.

Eternals vol. 1, #1 (1976)

Along the way, expect reading recommendations (in collected print format, as often as possible) so that you, too, can gain a firsthand appreciation for the source material that has been inspiring the recent pop culture explosion of four-color superheroic fantasy.

In that eponymous inaugural series, we learn that the Eternals came to life when titanic space-faring beings called the Celestials visited our planet eons ago and, as god-like cosmic entities are wont to do, experimented on our evolutionary ancestors. Using pre-human hominids, this “first host” of Celestials manipulated the genetic stock of our forebears in order to create three distinct branches of life: we humans, the beautiful and seemingly immortal Eternals, and the hideously unstable race of Deviants.

To fully appreciate the inspiration for Jack Kirby’s Eternals, however, we need to first go back several decades, before The King’s groundbreaking work at Marvel and the launch of their 1960’s superhero revolution. Jack and ancient aliens have had an impressively long (and, as conspiracy theorists have suggested, eerily involved) history together.

Eternals summoned to Olympia by Zuras to form the Uni-MInd (Eternals #11, 1977)

Continue reading Four Color Primer: Sersi & The Eternals Part 1

Marvel Studios 10th Anniversary: Ranking the 20 MCU Films

Two thousand eighteen is a monumental anniversary year for comic book movies. Forty years ago Superman: The Movie helped a worldwide audience “believe a man can fly,” upping the ante with groundbreaking cinematic special effects. Twenty years ago, New Line released Blade, and Hollywood, finally, keyed in on the profitability of Marvel’s stable of characters, understanding that superhero flicks not starring Batman or Superman could still draw an audience.

And that of course led to the formation of Marvel Studios which, ten years ago, brought funnybook continuity to the movies with Iron Man, the first entry in Marvel’s wildly successful Cinematic Universe.

With this week’s home video release of Ant-Man & The Wasp, the latest installment in the MCU’s film canon, a team of Idlers assembled to rank all twenty movies, from worst to first. Counting down to our favorite (so far):

20
Thor: The Dark World
(2013)
Tough to sit through, lousy plot to blame more than anything. The sole bright spot might be in the performance of Tom Hiddleston. Loki might be the most underrated character — from his characterization through his development — in the MCU. – MMDG

19
The Incredible Hulk (2008)
This still isn’t good. I’d forgotten that Marvel tried setting up The Leader (I’ll wager Marvel was counting on us forgetting this as well) for some future sequel or tie-in. Worth noting: during the climactic brawl in Harlem, there’s a Michael K. Williams (Omar from The Wire) cameo! Apparently he had a minor part that included some lines, but none of that made the final cut. – MMDG

18
Iron Man 2 (2010)
The first thing people usually mention about this film is Mickey Rourke’s cockatoo, which, uh, isn’t good. We get introduced to ScarJo as Black Widow, Don Cheadle dons the War Machine suit, and Sam Rockwell is pretty entertaining as Justin Hammer, but there is still a major lack of any sort of villain character to make this film stand out. – hltchk Continue reading Marvel Studios 10th Anniversary: Ranking the 20 MCU Films

From Iron Man to Infinity War: Trivial Musings from a Marathon Viewing

Like most of the world, I saw Avengers: Infinity War on opening weekend, in a crowded theater with an audience energized by expectations, curiosity, and love of a spectacle. And as much as I wanted to stay up into the wee hours of the morning discussing it with my own assembled group of friends, we all realized that there’d be time enough for that later, particularly after sleeping off maybe one Widow’s Sting too many.

Let’s talk about John Brolin! And did the #nospoilers pleas make us expect an ending different from the comics? What about that Gamora arc? And Thor & Rabbit! Ultimately, most opinions and observations were met with the concession that, well, we’re going to have to see it again.

My girlfriend was a bit surprised (despite being among at least two people who had already seen it a second time, this being Friday and all) and confirmed with me, “You really want to see it again?” When I responded in the affirmative, and asked if she’d be down, her response was, “Okay, but not until we watch all the movies in order first.”

Prior to getting together four years ago, my girlfriend says that she “thinks” she “probably saw” one or two of those Marvel movies when they came out. In the time since, of course, she has been a willing and eager student in my mildly exhausting course on the Marvel Cinematic Universe. At this point she had seen all eighteen movies leading up to Infinity War, but likely not in order, certainly not close together, and with an admittedly limited amount of attention paid to certain installments. That was all about to change.

We did this over a two-and-a-half week span, but the idea was inspired by one of our friends who sat in the theater for a 28-hour stretch during Alamo’s continuously running MCU marathon. By now maybe you’ve seen one or more viewing diaries from pretentious film critics who have self-righteously subjected themselves to these types of marathons despite professing to abhor the genre. Oh what witty observations about farty upholstery and snoring men in Deadpool shirts do abound! If anything, it proves that being an obnoxious dick on the Internet isn’t limited to comment posts and Twitter feeds.

Anyway… this is not that kind of viewing log. And as much as I would have loved to take a day off work to join one my pals for the overnight marathon, I relished the opportunity to take this in at a more managed pace, allowing my girlfriend to watch Kevin Feige’s ten-year epic unfold from the comfort of our couch. And because I had already seen each of these movies several times (many several, in the case of Avengers), I was curious as to whether or not I would pick up on anything new while watching them in succession over a short period of time. Plus, as soon as we were done, I would get to see Infinity War again.

So what follows are some truly inane bits of trivia, digressions, and realizations. Take it for what it’s worth.

Iron Man (2008)
No revelations in this repeat viewing, other than being ordinarily put off by the number of times Jeff Bridges smacks his lips before speaking. For that I blame djlazybear, who drew my attention to that cottonmouthed fucker’s penchant for puckering a few years ago. Also… RDJ sure does look young! Ten years is an impressive stretch, yeah?

The Incredible Hulk (2008)
This still isn’t good. I’d forgotten that Marvel tried setting up The Leader (I’ll wager Marvel was counting on us forgetting this) for some future sequel or tie-in. Best revelation: during the climactic brawl in Harlem, there’s a Michael K. Williams (Omar from The Wire) cameo! Apparently he had a minor part that included some lines, but none of that made the final cut.


Continue reading From Iron Man to Infinity War: Trivial Musings from a Marathon Viewing

Four-Color Primer: The Black Panther

This weekend, thousands of moviegoers who watched Captain America: Civil War got their first look at one of Marvel’s most historic characters, the Black Panther. A warrior-king from the fictional African nation of Wakanda, the Black Panther is surprisingly similar to Batman. Though he has strength, speed, and senses that are remarkably enhanced by a magical herb, the Panther relies on his intellect, and a slew of futuristic gadgets to overcome issues of super-villainy, as well as diplomacy. Created by the seminal creative duo of Jack Kirby and Stan Lee, and The Black Panther is the first Black super hero with meaningful characterization.

T'Challa 1

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How Marvel Studios Can Save The Fantastic Four

While I have no doubt that the rumored Bryan Singer involvement with Fox’s Fantastic Four reboot would do wonders for the franchise, and help save what was an atrocious first attempt, I think the problem is severe enough that the crisis council needs to start researching some other options.

RF and I have simmered on this for two weeks and we wanted desperately to say, of the recent Fantastic Four film, “It wasn’t that bad. It has potential.”

It’s not the worst movie to be stamped with the Marvel logo, but it’s in the conversation. Maybe Top 5. Having said that, however, we both agreed that the “potential” remains. And we hashed out one sure-fire way to make the most of said potential and rescue Marvel’s First Family from cinematic purgatory. Our patience is wearing thin; this is the fourth attempt at doing these characters justice. We need Marvel Studios to step in. Continue reading How Marvel Studios Can Save The Fantastic Four