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Four Color Primer: Sersi & The Eternals Part 1

Chloé Zhao will be directing Marvel’s forthcoming Eternals movie

With the recent news that Marvel Studios is developing The Eternals as the next major entry into the MCU, as well as the focus on The Celestials in Jason Aaron and Ed McGuinness’s new Avengers series, the selection of this year’s longbox excavation and research project was pretty easy. I’d long been fascinated by Jack Kirby’s concept of the three branches of humanity (adding Deviants and Eternals to our own lineage) ever since I pored through Mark Gruenwald’s Official Handbook of the Marvel Universe in the 80’s.

I’d had a working knowledge of the group, and of course followed Sersi during her tenure with the Avengers, as my inner teenage fanboy followed me off to college, but until now I’d never pieced together the formation of The Eternals, and hadn’t appreciated the extent to which Kirby’s vision had evolved in the decades since their inception.

from The Official Handbook of the Marvel Universe – Deluxe, #4 and #11 (1986)

The latest in our series of Four Color Primers unravels the origins and development of The Eternals, with a special emphasis on Sersi, historically the most interesting and active of this band of demigods. The aim with these posts has always been to function as a character survey (hopefully less convoluted than your average Wikipedia article, albeit almost always more verbose) that puts a primary consideration on the historical progression of concepts and stories passing from one creative team to the next, rather than a strict fictional biography. This is especially pertinent for The Eternals, whose original conception places their origin a million years in the past, a timeline that has seen refinement and elaboration from numerous writers and artists since Kirby first introduced us to the group in 1976.

Eternals vol. 1, #1 (1976)

Along the way, expect reading recommendations (in collected print format, as often as possible) so that you, too, can gain a firsthand appreciation for the source material that has been inspiring the recent pop culture explosion of four-color superheroic fantasy.

In that eponymous inaugural series, we learn that the Eternals came to life when titanic space-faring beings called the Celestials visited our planet eons ago and, as god-like cosmic entities are wont to do, experimented on our evolutionary ancestors. Using pre-human hominids, this “first host” of Celestials manipulated the genetic stock of our forebears in order to create three distinct branches of life: we humans, the beautiful and seemingly immortal Eternals, and the hideously unstable race of Deviants.

To fully appreciate the inspiration for Jack Kirby’s Eternals, however, we need to first go back several decades, before The King’s groundbreaking work at Marvel and the launch of their 1960’s superhero revolution. Jack and ancient aliens have had an impressively long (and, as conspiracy theorists have suggested, eerily involved) history together.

Eternals summoned to Olympia by Zuras to form the Uni-MInd (Eternals #11, 1977)

Continue reading Four Color Primer: Sersi & The Eternals Part 1

Four Color Primer: Valkyrie, Part 4

Taika Waititi’s highly anticipated Thor: Ragnarok opens in theaters this weekend, and the hype engine has been revving ever louder for the indie filmmaker’s first Hollywood blockbuster. Among interview bon mots like Waititi’s stance that he’d love another chance at an MCU film, so long as it’s Thor, because he doesn’t “really like any of the other characters,” is buzz regarding Marvel’s first openly LGBTQ character, Valkyrie, played by Tessa Thompson.

boom! – nice to meet you

We’ve been detailing Valkyrie’s comic book backstory and, if you’ve been following along since the first installment, know that this unnecessarily in-depth primer is finally getting wrapped up. Thanks for sticking it out. If you’re here for the first time, welcome as well! And if Valkyrie’s bisexual orientation is what steered you here, then you’ve arrived at an opportune time. This four-part series on the Nordic shield-maiden is, ostensibly, a guided reading list of key storylines. In the process, however, we’ve shed some light on how the visions of various creative teams, over several decades, can shape and define a character. Her sexual orientation, for example, really came into focus within the last few years.

When last we left Brunnhilde of the Valkyrior, she had finally been restored to her true form, body and mind in the same place for the first time in centuries. Her memories were no longer muddied with those of mortal hosts like Samantha Parrington or Barbara Norriss (may she rest in peace); her powers of enhanced strength and combat skill had become more pronounced; and she was leading (at least in her own mind), the “New” Defenders. And then she died. Again.

Back Issue! #65, the B-Team edition

This was an editorial mandate to free up all those former X-Men for the launch of X-Factor. Without Beast, Iceman, and Angel, there was very little rack appeal for The Defenders, and the series was ticketed for cancellation. Despite her lengthy tenure on the team, Valkyrie really didn’t have a life outside of that title, so she was sadly sacrificed along with super-nobodies Interloper, Andromeda, Gargoyle, and Manslaughter. In an interview for Back Issue, Peter B. Gillis bemoans the premature demise of the team he had been building.

My long-term plan was to populate the Defenders with my own crew of characters… characters who nonetheless had ties to interesting parts of the Marvel Universe. Andromeda, while not the Sub-Mariner, gave me a connection to Atlantis. – Peter Gillis

Even though he didn’t get his chance to develop that crew, including some remarkably stupid characters (“I fell in love with Manslaughter as much as Don [Perlin] did. He was definitely going to stay a member”), Gillis found a way to bring back Valkyrie et al, in the pages of another book he was writing, Doctor Strange: Sorcerer Supreme. Continue reading Four Color Primer: Valkyrie, Part 4

Four Color Primer: Valkyrie, Part 3

Tessa Thompson joins Chris Hemsworth, Mark Ruffalo, and Cate Blanchett as the sword-wielding Valkyrie in this November’s Thor: Ragnarok. There are many wonderfully succinct character bios available on the Internet that can illuminate her powers and backstory, but this isn’t one of them. This is part three in another ridiculously verbose Idle Time primer on Valkyrie, and if you’d like to get caught up, start with part one. If you are up to speed, and still reading these posts, thank you. I had no idea this little journey through oddball Marvel comics from the 70’s and 80’s would result in more than 10,000 words on an admittedly minor character. I’ve grown quite fond of Brunnhilde of the Valkyrior, to be honest. Regardless, I need to think about wrapping it up. But not before an in-depth look at the next writer responsible for putting his stamp on the character.

the Six-Fingered Hand saga begins in Defenders #94

Over the course of a decade, beginning in 1970, a handful of writers and artists took this concept and design, which began as nothing more than a villainous blind for Amora the Enchantress, and began to flesh out a complex and compelling character. She is Brunnhilde, leader of Odin’s nine valkyries, immortalized in popular culture by Richard Wagner’s Ring cycle. For reasons as yet unclear, she was held captive by Amora, with her persona and powers bent to the sorceress’s will. Eventually that persona was permanently embedded in the body of a human woman, Barbara Norriss. In turn, Barbara’s psyche was trapped in Brunnhilde’s body, still held captive by the Enchantress. Brunnhilde fought nobly for years, while inhabiting Barbara’s body, as a member of the Defenders. During a war in Valhalla, the immortal body of Brunnhilde animated by Barbara’s psyche was damned to Niffleheim, and Valkyrie, as she was now known, went back to the hero business seemingly devoid of the psychic feedback and confusion that had been linked to Barbara Norriss (although she still happily made use of Barbara’s body).

She was still a member of the Defenders, and this famous “non-team” title had been a wonderful below-the-radar outlet for trippy forays into non-traditional stories, social commentary, and general experiments in superhero team dynamics. The next major creator to play around in the Defender sandbox was J.M. DeMatteis and he, much like Gerber before him, used this series to explore themes that may not have gone over as easily in a mainstream book.

Valkyrie is shot from behind and killed in Defenders #107 (May, 1982)

Gods & Goddesses, Death & Rebirth

DeMatteis’s later work, particularly on books like the Moonshadow graphic novel and DC’s Spectre, clearly showcases the author’s interest in spirituality and humanity’s place in the universe. But a look back at his earlier books, including a Defenders run that began with issue #92, reveals a related fascination with religious iconography, the psychology of faith, and the concept of an immortal soul. What better instrument of exploration than Valkyrie, a character herself inspired from human religious beliefs, right?

Wrong. As DeMatteis launches into his first lengthy storyline, “The Six-Fingered Hand,” Val takes a backseat to recent Defenders recruits Hellcat, Devil-Slayer, and Daimon Hellstrom, as well as Gargoyle, a character first introduced in Defenders #94. The Hand in question is an alliance of demons, captained by Mephisto, looking to unleash literal hell on earth. Hellcat, our dear Golden-Age Patsy Walker, reveals that she might be the daughter of the devil, and that she was sold into demonic servitude… by her mother! What a great opportunity for Valkyrie to sympathize. After all, the human body that she’s running around in belonged to Barbara Norriss, who was sold off to a cult of demon worshipers by her mother.

this all sounds really familiar…

But no. Throughout this storyline, replete with demonic possessions and satanic pacts, Valkyrie is a minor supporting character, operating almost exclusively in the background. You begin to get the impression that, had he been able, DeMatteis would have written her off the team. Even in the climactic battle, in Defenders #100, Mephisto separates her along with Clea and Silver Surfer, disregarding their worth as “children of other worlds” to be “consigned to an eternity as nothings — in a realm of nothing!”

Continue reading Four Color Primer: Valkyrie, Part 3

Four Color Primer: Valkyrie, Part 2

This is part two in a primer on the comic book saga of Valkyrie, portrayed in this fall’s Thor: Ragnarok by Tessa Thompson. For the first part of her story, including the origins of three different Valkyries, brought to life by comics legends Roy Thomas, John and Sal Buscema, and Steve Englehart, among others, click here.

Valkyrie magically connects to her teammates’ origins in Giant-Size Defenders #1 (July, 1974)

The newly incarnated Valkyrie, the persona of an Asgardian warrior in the body of a human named Barbara Norriss, may have been the missing ingredient that transformed these conflicting personalities into a team of Defenders. Or, at least, brought them dangerously close to establishing the identity that they had been denying for several issues. In Giant-Size Defenders #1, Doctor Strange’s disciple Clea guides Val through a framed narrative that helps her make sense of the “three titans” who, despite each possessing his own headstrong nature, seem to work so well together in this burgeoning super-squad.

part of the Valkyrie framing sequence, beautifully illustrated by Jim Starlin

Just as these normally solitary heroes are coming together as a team, however, Valkyrie asks for a leave of absence from the Defenders. She has unresolved issues with her past, specifically her connection to Barbara Norriss. But despite expressing a desire to part ways, Valkyrie soon finds herself fighting alongside the team on several adventures, including the famous Avengers/Defenders War.

Val is matched up against the Swordsman in the Avengers/Defenders War

That clash is precipitated by Doctor Strange’s solution for bringing the Black Knight back to life, currently existing as a stone statue in Strange’s home. But following the manipulations of Loki and Dormammu, members of each super-team find themselves squared off against one another in a competition to recover pieces of the Evil Eye. Cooler heads prevail (as is typically the case in these hero v. hero conflicts), and Val and her cohorts journey to the twelfth century in an effort to restore the limbo-locked soul of the Black Knight to the present. During this adventure, Valkyrie responsibly returns the Ebony Blade to its rightful owner.

Dane Whitman, however, makes the decision to remain in the past, alive again in the body of his ancestor. Since Aragorn didn’t make the trip back in time, Val gets to keep the Black Knight’s flying horse. In Defenders #12, Doctor Strange gives Val her new magic sword, Dragonfang, which was carved – not surprisingly – from the tooth of a dragon. A few issues later, new Defender Nighthawk uses his super-powered checkbook to buy Val a private riding academy for her winged steed. Pretty nice friends, kid.

you’ll never guess what a sword called “Dragonfang” was carved from

Continue reading Four Color Primer: Valkyrie, Part 2

Four Color Primer: Valkyrie, Part 1

This fall’s Thor: Ragnarok may be winning the hype war with a rockin’ 80’s-themed trailer and a Planet Hulk-style interstellar gladiatorial tournament, but it’s those co-stars that really get my head banging. Cate Blanchett as Hela looks fantastic, and, like this guy, makes me want to buy toys again. Jeff Goldblum is inspired as the Grandmaster, and knowing that the director himself, Taika Waititi, gets his mo-cap suit on for a turn as the combatant Korg is delightful. This movie just looks like a great time. And my favorite addition to the party just might be the lovely Tessa Thompson as Valkyrie.

For the fourth in our series of comic book primers on B-list characters making big screen debuts, we’ve mined the archives and dug deep into the vaults. Presented here is a fairly comprehensive history of Valkyrie’s funnybook career, accompanied by reading recommendations for anyone even as remotely obsessive as myself.

Valkyries in Norse tradition are the mythical warrior women who preside over mortal battles, shepherding the chosen slain into the halls of Valhalla, where the noble combatants can revel, drinking mead and sharpening their axes in anticipation of Ragnarok. In a Marvel universe already well populated with mythological characters and lore, it was only a matter of time before Brunnhilde the Valkyrie made an appearance. This Valkyrie, like her kinsman Thor, possesses superhuman strength befitting an immortal Asgardian, but instead of a hammer, swings a big-ass sword as her weapon of choice. She’s also surprisingly less married to that Nordic tradition than is the God of Thunder. For years she flew around on the back of Aragorn, a winged horse handed down from the Arthurian-inspired hero Black Knight. She even picked up his Ebony Blade for a spell, before replacing it with the still-not-very-Viking-sounding Dragonfang. And, at least during the earlier years of her career, she was much more interested in punching men in the face than escorting them to the afterlife.

This Valkyrie is more than just an anachronistic collection of accessories in a hot outfit, and her origin story is as bizarre and non-traditional as any comic book hero that came to life in the gloriously zany 1970’s. Read on, for a backstory that involves demon-worshiping cultists, celestial harmonicas, and Wagner’s The Ring of the Nibelung.
Continue reading Four Color Primer: Valkyrie, Part 1

Four Color Primer: Psylocke

x apocEntertainment Weekly provided us with the first look, almost a year ago, of Olivia Munn as Psylocke in Bryan Singer’s upcoming X-Men: Apocalypse. With no end in sight to the superhero dominance of Hollywood, it means more and more opportunities for B-list four-color favorites to make A-list silver screen appearances. Case in point, that EW cover. Magneto, played by Steve Jobs, everyone knows. That blue monster? Seems important. But beyond the still criminally small percentage of the population familiar with comics and the X-universe, that sexy ninja on the left is a mystery.

2016 promises to be another banner year for capes-n’-tights cinema, with no fewer than seven anticipated movies based on DC and Marvel characters alone. Here’s the second in a series of unnecessarily verbose primers on some of your new favorite superheroes and supervillains. Slightly more subjective than a Wikipedia article, but just as exhaustive, feel free to sift through for enough reading recommendations to know your Betsys from your Kwannons, and your psychic knives from your telekinetic katanas. Continue reading Four Color Primer: Psylocke

Four Color Primer: Colossus

The first appearance of Colossus (1975)
The first appearance of Colossus (1975)

I don’t know what to expect from Tim Miller and Ryan Reynolds’s Deadpool film, which opens today. Miller is normally a vfx director, graphics designer, and animator; this will be his first feature, written by Zombieland scribes, Rhett Rheese and Paul Wernick. If you’ve been keeping up with Idle Time’s ANAD Marvel project, you know that Deadpool is a big part of the Marvel Comics relaunch, probably in part to promote the film (it’s nice to see the two studios play nice). I hadn’t had a lot of experience with Deadpool prior to these comics, and I’m still on the fence about him. His never-ending retorts and meta-humor are genuinely funny in the comics, but I find Reynolds’s first-person voiceover and sarcastic delivery more obnoxious than charming since I stopped being sixteen. When I first heard news that Deadpool was getting a movie, I didn’t care, but then the trailer came out. Deadpool is sourced from the X-men universe, and that’s why 20th Century Fox can make a movie about him. And, in the preview, one of the all-time coolest X-men appears to have a role in the film: Colossus.

Though there are a lot of mundane details about Colossus, his family is shrouded in mysticism. To begin, C-Lo’s real name is Piotr Nikolaievitch Rasputin, and he was born in Lake Baikal, Siberia on the Ust-Ordynski Collective farm. That’s where he’s found by Professor Xavier, toiling in the fields: a giant, literal man of steel tossing bales of hay.

Professor X recruiting Piotr from Giant Size X-Men #1 (1975)
Professor X recruiting Piotr from Giant Size X-Men #1 (1975)

Xavier’s trying to recruit Piotr because all of the original X-Men, save Cyclops, have gone missing on the island of Krakoa, and Professor X is mounting a rescue. It is probably the most touching of any of the recruitments, as Piotr reluctantly leaves his family to see if his powers can better the world. But leaving his younger sister bothers him to his core, mostly because of his brother. Continue reading Four Color Primer: Colossus