Edit, 4/10: This isn’t how Marvel Comics should be making the news. After all the outstanding progress and forward thinking that has become a hallmark of the company’s titles in the last few years – a number of all-female creative teams, that totally Asian Totally Awesome Hulk, Kamala Khan,
America fer crying out loud – this controversy is a major setback. And to have it take place in a relaunch of the X-Men of all things, a comic that has, for generations, stood for abolishing bigotry and promoting acceptance, is particularly disappointing. Hopefully we’ve seen the last of Marvel’s –
or any comic book publisher’s – relationship with this particular artist.
As promised, Marc Guggenheim is going back to basics in X-Men: Gold #1, the first new ongoing X-book in Marvel’s ResurrXion initiative. Following the events of Inhumans vs. X-Men, and, really, all the second-rate treatment given to mutants not named Deadpool over the last few years, this new team with a classic feel is just what the comics world needs right now. Kitty Pryde is back, leading a group comprised of Colossus, Storm, Rachel Grey (Prestige), Old Man Logan, and Nightcrawler. And it’s not just the team’s composition that hearkens back to the Claremont/Cockrum/Byrne glory days. This is the first X-launch in years that feels like those great stories so many of us grew up with. No disrespect to Lee & Kirby, but the X-Men – as a series and as an institution – didn’t reach their full potential until that first reset in the late 70’s and early 80’s.
The comic opens, appropriately, with a supervillain bout, wherein this team gets a chance to showcase its battle-tested dynamic. Also, a little reminder that Kitty Pryde, codename or not, is a legitimate badass. And then the battle segues quickly into an all-too familiar statement. What makes the X-Men heroes – perhaps even more heroic than any assemblage of Avengers or Justice Leaguers – is that these mutants have forever worked to protect and save a society that hates and fears them. It’s the enduring X-Men theme; in Guggenheim’s hands the selflessness and courage still seems fresh.