Tag Archives: ResurrXion

X-Men: Gold

Edit, 4/10: This isn’t how Marvel Comics should be making the news. After all the outstanding progress and forward thinking that has become a hallmark of the company’s titles in the last few years – a number of all-female creative teams, that totally Asian Totally Awesome Hulk, Kamala Khan,
America fer crying out loud – this controversy is a major setback. And to have it take place in a relaunch of the X-Men of all things, a comic that has, for generations, stood for abolishing bigotry and promoting acceptance, is particularly disappointing. Hopefully we’ve seen the last of Marvel’s –
or any comic book publisher’s – relationship with this particular artist.

As promised, Marc Guggenheim is going back to basics in X-Men: Gold #1, the first new ongoing X-book in Marvel’s ResurrXion initiative. Following the events of Inhumans vs. X-Men, and, really, all the second-rate treatment given to mutants not named Deadpool over the last few years, this new team with a classic feel is just what the comics world needs right now. Kitty Pryde is back, leading a group comprised of Colossus, Storm, Rachel Grey (Prestige), Old Man Logan, and Nightcrawler. And it’s not just the team’s composition that hearkens back to the Claremont/Cockrum/Byrne glory days. This is the first X-launch in years that feels like those great stories so many of us grew up with. No disrespect to Lee & Kirby, but the X-Men – as a series and as an institution – didn’t reach their full potential until that first reset in the late 70’s and early 80’s.

The comic opens, appropriately, with a supervillain bout, wherein this team gets a chance to showcase its battle-tested dynamic. Also, a little reminder that Kitty Pryde, codename or not, is a legitimate badass. And then the battle segues quickly into an all-too familiar statement. What makes the X-Men heroes – perhaps even more heroic than any assemblage of Avengers or Justice Leaguers – is that these mutants have forever worked to protect and save a society that hates and fears them. It’s the enduring X-Men theme; in Guggenheim’s hands the selflessness and courage still seems fresh.

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ResurrXion: Inhumans Prime

Marvel’s X-event this month seems to be about a lot more than a refresh on their stable of mutant books. Developing out of the ashes of Inhumans vs. X-Men, ResurrXion looks to not only provide a new publishing initiative for mutant and Inhuman books, but also to re-establish the X-Men as one of the preeminent Marvel properties. For three solid decades, beginning in the 80’s, the X-Men were arguably the most popular characters in Marvel’s catalog. But with the success of Marvel Studios, and accompanying company mandates to focus on characters developed in the Marvel-controlled MCU, the treatment of the X-books, and mutants themselves, seemed to mirror the fictional resentment and discrimination that had been a hallmark theme of mutant storylines for so many years.

Despite understanding Marvel’s inclination to increase exposure for their Marvel Studios characters, when the All-New All-Different era kicked off in 2015, we were still nonetheless a little taken aback. The Inhumans were figuratively (and somewhat literally) killing off and replacing the mutants. It was happening in the comics, and it was happening on the comic book shelves. But after force-feeding us too many unsatisfying and underdeveloped “nuHuman” characters, Marvel seemingly saw the light. Extinction averted, IvX behind us, and we’ve got a spate of new X-related releases in the coming weeks, including an exciting team series that promises to go “Back to Basics.”

But that doesn’t mean the Inhumans have been passed over; part of this ResurrXion rightly belongs to them, and a return to form works both ways. In the first of two intro issues this week, Inhumans Prime brings the focus back on the Inhuman royal family, and sets the stage for some glorious cosmic adventure.

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