Somewhat overlooked amidst Marvel’s Civil War II blitz and impending Marvel NOW! initiative is the new Doctor Strange, emerging from Aaron and Bachalo’s recent arc as one of the most promising and exciting takes on the character in decades. Obviously we have the new movie to thank for Marvel’s attention, but this rejuvenated Sorcerer Supreme was long overdue regardless. This week’s Doctor Strange #11 serves as an interlude between last month’s conclusion to “The Last Days of Magic” and next month’s multi-title NOW launch. This is no mere filler issue, however, as Jason Aaron formerly introduces us to the new status quo in Marvel’s magical universe. And, in no uncertain terms, the “new face of magic.”
Leonardo Romero provides the art for the present day sequences: a composed, almost minimal counterpoint to the frenetic, hyperactive aesthetic realized by Chris Bachalo, back before Strange & Co. fought off The Empirikul and pushed the reset button on our universe’s magical hard drive. Aaron, like Jonathan Hickman before him, is a Bond villain of the Marvel Universe, successfully razing the world in order to let it grow anew. Unlike Hickman, however, Aaron is still in the driver’s seat, and seems to have big plans for the good Doctor, along with all of his magical friends.