10
Sentry
Jeff Lemire & Kim Jacinto
Ask the prolific Eisner-winning Lemire, whose recent successes include a love letter to Golden Age superheroes, Black Hammer, and various journeys into the fractured psyches of humanity, both powered and otherwise, as seen in Royal City and Bloodshot, who is the one Marvel character you’d most like to revive? Moon Knight. Okay, you’ve done that. Who is the next Marvel hero on your list?
Gotta be The Sentry. This first issue is rife with classic capes n’ tights bombast, juxtaposed brilliantly with real human struggles — a Robert Reynolds that looks like he was pulled fresh from the towns of Essex County. In fact, Kim Jacinto’s art, when it isn’t aflame with dynamic action sequences, even resembles Lemire’s illustration style, sketchy and expressionistic with every shade of human emotion wonderfully styled. – MMDG
When I saw that a new Sentry book was out, I was skeptical. The Sentry is a lot like Superman in that it’s hard to come up with scenarios that can seriously threaten them and make for suspenseful and dramatic stories. I think Superman writers overcome this with solid character writing and an exploration of his personal psychology. Seeing Lemire’s name on this book inspired confidence and it wasn’t misplaced. Lemire is the perfect guide to further explore a character that I feel is hard to write for, and has ultimately made him underutilized in the books. The situation Bob finds himself in, literally living two lives, is a great take on the super hero/alter ego concept, and I gotta say, I’m happily growing sympathy for the character. Part of that is the writing, but I immediately noticed Jacinto’s strong facial expressions. They’re intense! His illustration strengthens the juxtaposition of the golden guardian to the dark void and underlines this particular book as a psychological horror story. This could be the defining story for this character, and I’m excited to see where Lemire, Jacinto and co. take it. – tyrannofloresrex
Man can this guy rip bodies! Great art — despair with a hint of imbalance — match the tone of the story. And I’m a sucker for a cliffhanger so I’ll probably pick up #2 to see who the villian is. – lebronald
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9
Venom
Donny Cates & Ryan Stegman
Stegman has really managed to turn his art into some next level stuff. I will keep reading as long as he is on the book. The opening Norse segment looks so good. I like Cates’s direction of making the symbiotes more of an ever-present part of the MU. Reminds of the Brubaker/Fraction Iron Fist run. Still not the biggest fan of the symbiote in general but this is well written and has a good mystery. I am intrigued enough to want to continue with this one. – MeanOldPig
I love these red faced aliens. I hope it stays dark and gets creepier. – lebronald
Still not a fan of the character, but Donny Cates has done marvelous things with Dr. Strange and Thanos in recent months, and Stegman’s art is unbelievable. I’ll be reading this. – MMDG
While I acknowledge that good, spooky entertainment shouldn’t be relegated to a certain season, I am particularly excited each October to see movie marathons on streaming networks, horror blockbusters on the big screen, and an inordinate number of creepy titles popping up on the new release comic rack. Of course, this could just be because I’m looking for something in that vein, but… whatever the case, I was glad to see Dark Horse’s The Whispering Dark #1 on the shelf this week. The comic, by Christofer Emgård and Tomás Aira, combines two of comics’ most popular genres of ages past — horror and war — and offers something that would have made Bill Gaines proud.
We’re coming up on the six-month mark of Marvel Comics’s “Fresh Start,” an informal publishing initiative that began with the release of Jason Aaron and Ed McGuinness’s new volume of 
Another “Fresh Start” from the House of Ideas this week and, as with Aaron & McGuiness’s 
Both Marvel and DC have engaged a number of prominent novelists and screenwriters over the last few years, giving these writers their first opportunity to pilot a monthly comic book series. Invariably, every one of them opens a press conference or interview with the same caveat: I don’t know what I’m doing, but I love comics and I love these characters. It’s been hit or miss for the most part; comics is its own storytelling medium, and it often takes time for a writer to ably adapt his or her voice to accommodate the differences. But once in a great while, an author really figures things out. No growing pains, no collaboration difficulties, and no real sense of inexperience. A year ago, Ta-Nehisi Coates took the reins of a heralded 
Given Black Panther’s impending appearance in Marvel Films’ Captain America: Civil War, and a planned solo movie, it would have been easy for the company to simply inundate the comic shop with team book appearances; new series, both limited and ongoing; and half-hearted attempts at putting his face on as many covers as possible. You know, like Deadpool.
The Institute of Idle Time 