I had a copy of this comic on a side table in my living room this weekend and, when my brother took notice, he stopped in his tracks and scooped it up. “One thousand? Seriously? One thousand?”
We grew up in an era in which “landmark” designations still made an impression. I’ll never forget how excited I was to get my hands on Uncanny X-Men #200. I pinned and re-pinned that comic to my wall I don’t know how many times. Or the big 50th anniversary celebration of Batman that culminated in Detective Comics #600. That might have been the first time in my mercifully brief middle-school comics speculation career that I purchased a duplicate copy of a book. But nowadays, big round numbers mean very little, especially with rebirths and fresh starts and new number 1’s every fall.
But #1000… we all take notice of that. That number is on another level. My son once explained matter-of-factly that he could eat one thousand shelled edamame, to which his uncle retorted, “It’s impossible to eat one thousand of anything.”
The Romans never bothered coming up with a number greater than “M.”
My girlfriend, who, perhaps due to having grown up in Mexico, had been criminally inexperienced with baseball terminology (and thus at something of a disadvantage when we started communicating), recently learned what it means to “bat a thousand.” It’s unattainable perfection.
It’s hard to imagine a thousand of anything.
So it’s with proper reverence that I approach DC’s truly landmark 1000th issue of Action Comics, the comic that started it all. It’s a marvelous 80-page anthology with vignettes from an all-star lineup of superhero creative teams both past and present.
Continue reading Action Comics #1000
So, clearly I’m not the only one who does this. I’ll be sitting on the couch, watching one of Netflix’s superhero shows, and I imagine a teenage me time-jumped from the past, staring in awe at the screen. “Is this Daredevil? That’s Elektra! This. Is. Awesome.” Yeah, and wait until you see what’s playing at the theater down the block, kid. “Wait a minute… those photos? Did the Giants win… the World Series? Three times?!” Yup. And remember how bad the Warriors were when you come from? “Hang on. Are you going to work in a t-shirt?” Ties are for weddings and funerals, buddy. No matter what Dad said. “Did I… did we take over the world?”
Brian K. Vaughan (Y the Last Man, Saga) and Cliff Chiang (Wonder Woman, amazing album homages) are back with the start of a new storyline in the so-good-of-course-you’re-already-reading-it Paper Girls #6. And this time, we catch up with the titular young ladies as they step from the world of 1988 into 2016, and Erin Tieng comes face to face with her forty-year-old self.
Young Erin and her friends react just as I’d imagine I would, if I was twelve years old again, staring at what couldn’t possibly be a home television set. BKV has always had a knack for characters that, while presented with totally unique and impossible situations, come to life with perfect credulity. And as much as we find ourselves sympathizing and caring about his cast members, whether a trio of newspaper delivery girls or a wannabe escape artist and his pet monkey, it’s those impossible situations that really make his stories stand out. And the mystery that started to unfold in the first volume of Paper Girls looks like it’s just getting started. Continue reading New Comics: Paper Girls
Marvel’s big summer event, teased two weekends ago for Free Comic Book Day and hinted at in various prologue-style tie-ins these last few weeks, finally gets it’s official beginning.
Okay, so it’s technically issue “#0” of Civil War II, but this clearly is where things get started. Brian Michael Bendis and Olivier Coipel, the team behind the outstanding event mini-series House of M and the far less memorable Siege, return with a sequel, of sorts, to Mark Millar and Steve McNiven’s seminal Civil War. Just in time to cash in on all the attention garnered by the new Captain America movie, naturally. We know how Marvel operates.
We also know that it’s a rare feat to come up with some truly original storylines in the capes-n-tights universes, so maybe we can forgive this creative team for, once again, rehashing old plot devices and trigger points. Or another way to look at it, I suppose, is that it’s Week 33 of All New All Different Marvel, which seems far too soon to give up on being either new or different. Whatever the case, here we go again. A tragic explosion and massive loss of life (see the aforementioned Civil War and Siege) results in a major moral quandary and divisive dilemma for the superpowered set.
What is different, and in keeping with a major development in this Marvel relaunch, is the role of the Inhuman population and that mysterious floating cloud of Terrigen mist. Deadly to mutants, but capable of unlocking latent alien powers in a certain percentage of humanity, the mist, and the awesome potential that it represents, is at the center of both the inciting event and the story as a whole.
Continue reading New Comics: Civil War II