Uh oh. DC is getting grim again. Tom King and Clay Mann’s Heroes in Crisis #1, out this week, is a powerful opener to an intense murder mystery. The scene of the crime is a secluded rural safehouse, Sanctuary, that had been set up as a kind of therapeutic retreat for superheroes dealing with the kind of trauma that, well, comes with the job. The crime scene is a grisly litter of bodies, with several heroes — some of note, even — victims of a mass murder. And the two suspects appear to be, at least at the onset, Harley Quinn and Booster Gold.
Cut between the interactions of Booster and Harley, neither of whom seems particularly clear on the details of what had transpired on the farm, is the preliminary investigation by DC’s Holy Trinity. Superman, Batman, and Wonder Woman take in the scene with all the weight and seriousness that the event deserves, devoid of the typical technicolor melodrama that often serves as an appropriate separation between the superheroic fictional world and our own sobering reality. It’s the same kind of dark, arresting narrative that we saw from Brad Meltzer and Rags Morales in 2004’s Identity Crisis, and, as such, one can’t help but look back on how that singular event affected the DC Universe that we know — both in print and on the screen — today.