Tag Archives: Jack Kirby

Four Color Primer: Sersi & The Eternals Part 1

Chloé Zhao will be directing Marvel’s forthcoming Eternals movie

With the recent news that Marvel Studios is developing The Eternals as the next major entry into the MCU, as well as the focus on The Celestials in Jason Aaron and Ed McGuinness’s new Avengers series, the selection of this year’s longbox excavation and research project was pretty easy. I’d long been fascinated by Jack Kirby’s concept of the three branches of humanity (adding Deviants and Eternals to our own lineage) ever since I pored through Mark Gruenwald’s Official Handbook of the Marvel Universe in the 80’s.

I’d had a working knowledge of the group, and of course followed Sersi during her tenure with the Avengers, as my inner teenage fanboy followed me off to college, but until now I’d never pieced together the formation of The Eternals, and hadn’t appreciated the extent to which Kirby’s vision had evolved in the decades since their inception.

from The Official Handbook of the Marvel Universe – Deluxe, #4 and #11 (1986)

The latest in our series of Four Color Primers unravels the origins and development of The Eternals, with a special emphasis on Sersi, historically the most interesting and active of this band of demigods. The aim with these posts has always been to function as a character survey (hopefully less convoluted than your average Wikipedia article, albeit almost always more verbose) that puts a primary consideration on the historical progression of concepts and stories passing from one creative team to the next, rather than a strict fictional biography. This is especially pertinent for The Eternals, whose original conception places their origin a million years in the past, a timeline that has seen refinement and elaboration from numerous writers and artists since Kirby first introduced us to the group in 1976.

Eternals vol. 1, #1 (1976)

Along the way, expect reading recommendations (in collected print format, as often as possible) so that you, too, can gain a firsthand appreciation for the source material that has been inspiring the recent pop culture explosion of four-color superheroic fantasy.

In that eponymous inaugural series, we learn that the Eternals came to life when titanic space-faring beings called the Celestials visited our planet eons ago and, as god-like cosmic entities are wont to do, experimented on our evolutionary ancestors. Using pre-human hominids, this “first host” of Celestials manipulated the genetic stock of our forebears in order to create three distinct branches of life: we humans, the beautiful and seemingly immortal Eternals, and the hideously unstable race of Deviants.

To fully appreciate the inspiration for Jack Kirby’s Eternals, however, we need to first go back several decades, before The King’s groundbreaking work at Marvel and the launch of their 1960’s superhero revolution. Jack and ancient aliens have had an impressively long (and, as conspiracy theorists have suggested, eerily involved) history together.

Eternals summoned to Olympia by Zuras to form the Uni-MInd (Eternals #11, 1977)

Continue reading Four Color Primer: Sersi & The Eternals Part 1

Stan Lee and the Silver Surfer

Last week I wrote about the affect that one of Stan Lee’s most iconic co-creations had on me as a young comic book fan.

This week I wanted to focus instead on a character that impacted me greatly in my teenage years and into adulthood. Although not technically a Stan Lee creation (and in fact the character’s provenance was the source of some controversy), the story of the Silver Surfer is undeniably associated with Stan and is an important part of the writer’s legacy. In tribute, here’s a look at the comic book that brought me closer to Stan Lee’s worldview as seen through the eyes of the lonely sentinel of the spaceways, and gave me a better appreciation of the man who helped make Marvel Comics what it is today.

Silver Surfer

The Silver Surfer #1 (1988)
By eighth grade, I was well and truly entrenched in the Marvel universe, but apart from random issues of 70’s Defenders and summarized tales in Marvel Saga, I didn’t know much about the Silver Surfer until the debut of Steve Englehart’s series  and the release of Joe Satriani’s Surfing with the Alien. Both of those artifacts were gateway drugs into the immersive world of Marvel’s galactic space opera, and I spent many of my high school years moving backwards and forwards into the Jim Starlin and Ron Lim eras, digging on Warlock, Eternity, and all the trippy Infinity Watching and cosmic handholding.

But in 1988, another Silver Surfer hit the stands under Marvel’s Epic imprint, and it felt important enough that, despite its incongruities and lack of adherence to all-important continuity, I was compelled to add it to my weekly pull. It was the first of the two-part “Parable” story by Stan Lee and French artist Moebius.

Continue reading Stan Lee and the Silver Surfer

Captain America #700

Mark Waid and Chris Samnee’s celebrated run on Captain America concludes this week with the title’s milestone 700th issue. The journey began during the Legacy launch, setting forth under the daunting mandate of restoring Captain America – both in the fictional comics world and in real-world readers’ perceptions – as a bastion of hope, justice, and perseverance. In this book’s main story, the final chapter of “Out of Time,” Waid & Samnee punctuate their little Steve Rogers futuristic fable with as much “What Captain America Means To Me” mojo as they can muster.

The whole storyline may have felt a little rushed, from the introduction of the criminal organization Rampart through the near-future apocalyptic America, but in this conclusion you really do get the sense that the pair had every intention of crafting what amounts to a superheroic fairy tale more than anything else. On the first day, Cap was undeterred. On the second day, Cap was resolute. But on the third day…

This whole epic could have just as easily worked as one of Marvel’s new Original Graphic Novels: somewhat in continuity, but maybe not entirely… (Except, of course, that no one seems to read those.) Whether or not future creative teams, including the highly anticipated “Fresh Start” launch from Ta-Nehisi Coates and Leinil Yu, recognize any trace elements from this tale remains to be seen. But in the sense that Waid & Samnee beautifully capture their core Cap beliefs in this succinct, albeit era-spanning story, this run can be viewed as a success.

Continue reading Captain America #700

Jack Kirby’s 100th

Comic shops around the country have been abuzz celebrating Jack Kirby’s centennial this week. The undisputed King of Comics would have turned 100 this past Monday, August 28th. For a guy as influential as Walt Disney or George Lucas, it’s a shame how few people recognize his name or appreciate his contributions to comics, entertainment, and popular culture. Despite a #doodleforjack campaign, Google didn’t get it together in time to enlighten the masses with some Kirby crackle or dream machinery (we, did however, learn a little bit more about James Wong Howe on the 118th anniversary of the cinematographer’s birth).

But we know how important Kirby is, and each and every Idler, just like every one of you reading this blog, has his or her own favorite Kirby creation or a story about discovering his genius for the first time. And it’s up to us to spread the word. Take a friend to the comic shop this week, and act as a docent through the living museum of Kirby’s 2017 impact. Several one-shot specials are being released this month by DC and, this week from Mark Evanier and Scott Kolins, is the Darkseid Special. Be sure to point out the fact that the Justice League movie coming out in a few months looks to feature one of Jack’s most inventive concepts, as well as the Lord of Apokolips, one of the most insidious villains in comics. This oversized special also has a new OMAC story, and two classic Kirby reprints. And for more Fourth World fun, you could also pass along the new Black Racer and Shilo Norman special, by Reginald Hudlin and Ryan Benjamin, which also contains some great Kirby originals.

Continue reading Jack Kirby’s 100th

Mister Miracle

As I wrote before, Mister Miracle has always been the Kirby creation that I have loved through and through. His escape routine and relationship with Big Barda have always been inspirational to me. So leave it to Tom King (Vision) and Mitch Gerads (Punisher) to take this character I’ve always idealized as a superhero and reduce him to basic humanity, struggling with depression.

I will admit, on paper this sounds like a real bummer. Mister Miracle depressed and dealing with suicide?  In most cases, I’m not really onboard with it but King and Gerads tell the story with such care and detail that I couldn’t help but become engrossed with the material.

Continue reading Mister Miracle

Jack Kirby’s Mister Miracle

Picking a Kirby story is hard enough, let alone a Kirby character. For me, his New Gods space opera for DC will always be the quintessential King. It’s Kirby at his most expressive and free as you see the love put into every page and character. The story is simple: two planets full of gods have been at war since they split. One, New Genesis, is the beautiful unsullied world of the nice gods while the other, Apokolips, is the hellhole nightmare world run by a tyrant. The rulers decide to a truce by sending their sons to the other planet which cues the birth of my favorite character, Scott Free aka Mister Miracle. Continue reading Jack Kirby’s Mister Miracle

Jack Kirby’s Kamandi: The Last Boy On Earth

My love of Kamandi began in college. Though I had been a fan of comic books nearly all my life I had yet to delve into their history. I had always thought that older comics were corny, or too message-based to appeal to me. I like badasses like Spawn and Wolverine. I admit I even had a fondness for the extreme 90s styling of Rob Liefeld. It wasn’t until high school that I began to branch out of Marvel and into DC, and even then it was only Batman and Birds of Prey that caught my attention. At some point in those halcyon days of Mountain Dew and Taco Bell I remember seeing an old issue of Kamandi: The Last Boy On Earth for sale at my local comic book store. At first I thought the book looked ridiculous; here was this boy with flowing golden hair, Hulk-like ripped pants, and a gun. Once I opened the pages though I remember seeing the genius of Jack Kirby in full view. A tribunal of Ape-men sentencing a Lion-man and a Dog-man to death with the caption “Clemency denied!” I wish I had picked up that book and began my love of Kamandi and Kirby a few years early.

1714535-kamandi_15

Still, that initial exposure to the world of Kamandi stayed with me. Though the boy’s name was soon forgotten, that imaginative world, that Planet of the Apes on acid, stuck with me until one day at the SF State campus bookstore I saw the Kamandi Omnibus Volume 1 for sale. There he was, there was that lost world again. So I sat down and read the entire thing, completely forgetting the two or so classes I had that day. It was okay though, my teachers would understand. There were gorillas riding jeeps into battle with a tiger army that was a bit more pressing than Philosophy of Art. Continue reading Jack Kirby’s Kamandi: The Last Boy On Earth

Jack Kirby’s Captain America

captain-america-1Captain America Comics #1 burst onto newsstands in 1941 with that now-famous flying right hook to the jaw of Adolf Hitler. The book and cover are largely credited to Joe Simon, but his young partner Jack Kirby, 23 at the time, became an increasingly integral part of the design and development of one of popular culture’s most enduring characters.

When Kirby came back to Marvel in the early 60’s to partner with Stan Lee on the birth of the Marvel Universe, he also helped bring back a character who many thought might have just remained a campy footnote in the propaganda-laden pulp trade of the 1940’s. In an even more memorable issue with a singularly milestone cover, Captain America became well and truly Jack Kirby’s superhero. Continue reading Jack Kirby’s Captain America

Jack Kirby’s The X-Men

I remember the day I played sick from high school to read entire collections of Mark Millar’s Ultimate X-Men, thus kicking off an expensive habit of collecting the trades as they came out. And I collected every stupid iteration of the team from X-Babies, to Exiles, and those gory X-Force books, because the depth and width of their universe is fucking incredible. These days I don’t read many comics, but I always find myself asking MMDG or another Idle Timer about what’s going on with my team. I love those X-books, and I guess I kind of love Jack Kirby for starting it.

Truth be told, Jack Kirby didn’t have to do with much of the X-Men I know. Wolverine, or Hugh Jackman, as some people may know him, was the brain-baby of Len Wein, Roy Thomas, and John Romita Sr, before being fleshed out into the tormented berserker by Chris Claremont. A lot of the stories and characters from the X-Men cartoon are from the Claremont/Cockrum/Byrne era, too.

So why give thanks to Jack Kirby? Continue reading Jack Kirby’s The X-Men

Long Live The King: Celebrating Jack Kirby’s 98th

This Friday will mark the 98th birthday of Jack “The King” Kirby, legendary artist whose creative genius helped give life to many of the most recognizable characters in the Marvel universe, and whose iconic style also served to usher in an entirely new era of superheroic imagination.

ff1Kirby passed away in 1994, but his legacy endures. That legacy extends far beyond the close to four billion dollars earned by Hollywood films featuring his characters. Beginning in the 90’s, and inspired by the Kirby estate’s efforts to regain rights and credit for Jack’s work, a movement for creators’ rights took shape that changed the landscape of the comic book industry.

From the Image revolution through the Hollywood success of creations such as Mignola’s Hellboy and Millar and Romita’s Kick-Ass, today’s creators owe much to the activism that began when Kirby and his supporters started championing the rights of comic book artists and writers. Continue reading Long Live The King: Celebrating Jack Kirby’s 98th