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Sentry
Jeff Lemire & Kim Jacinto
Ask the prolific Eisner-winning Lemire, whose recent successes include a love letter to Golden Age superheroes, Black Hammer, and various journeys into the fractured psyches of humanity, both powered and otherwise, as seen in Royal City and Bloodshot, who is the one Marvel character you’d most like to revive? Moon Knight. Okay, you’ve done that. Who is the next Marvel hero on your list?
Gotta be The Sentry. This first issue is rife with classic capes n’ tights bombast, juxtaposed brilliantly with real human struggles — a Robert Reynolds that looks like he was pulled fresh from the towns of Essex County. In fact, Kim Jacinto’s art, when it isn’t aflame with dynamic action sequences, even resembles Lemire’s illustration style, sketchy and expressionistic with every shade of human emotion wonderfully styled. – MMDG
When I saw that a new Sentry book was out, I was skeptical. The Sentry is a lot like Superman in that it’s hard to come up with scenarios that can seriously threaten them and make for suspenseful and dramatic stories. I think Superman writers overcome this with solid character writing and an exploration of his personal psychology. Seeing Lemire’s name on this book inspired confidence and it wasn’t misplaced. Lemire is the perfect guide to further explore a character that I feel is hard to write for, and has ultimately made him underutilized in the books. The situation Bob finds himself in, literally living two lives, is a great take on the super hero/alter ego concept, and I gotta say, I’m happily growing sympathy for the character. Part of that is the writing, but I immediately noticed Jacinto’s strong facial expressions. They’re intense! His illustration strengthens the juxtaposition of the golden guardian to the dark void and underlines this particular book as a psychological horror story. This could be the defining story for this character, and I’m excited to see where Lemire, Jacinto and co. take it. – tyrannofloresrex
Man can this guy rip bodies! Great art — despair with a hint of imbalance — match the tone of the story. And I’m a sucker for a cliffhanger so I’ll probably pick up #2 to see who the villian is. – lebronald
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9
Venom
Donny Cates & Ryan Stegman
Stegman has really managed to turn his art into some next level stuff. I will keep reading as long as he is on the book. The opening Norse segment looks so good. I like Cates’s direction of making the symbiotes more of an ever-present part of the MU. Reminds of the Brubaker/Fraction Iron Fist run. Still not the biggest fan of the symbiote in general but this is well written and has a good mystery. I am intrigued enough to want to continue with this one. – MeanOldPig
I love these red faced aliens. I hope it stays dark and gets creepier. – lebronald
Still not a fan of the character, but Donny Cates has done marvelous things with Dr. Strange and Thanos in recent months, and Stegman’s art is unbelievable. I’ll be reading this. – MMDG
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There were still some storylines seeded during the Legacy build-up that were now being hitched to C.B.’s wagon. Jason Aaron’s ancient Avengers saga would be kicking off the fanfare-minimized “Fresh Start,” and the galactic empire of Wakanda, along with the long-awaited return of the Fantastic Four, were not far behind. But it was still a new batch of #1 issues for a near line-wide refresh. Marvel had been pulling this stunt annually; some of these books were up to their fourth series premiere in as many years.
Two thousand eighteen is a monumental anniversary year for comic book movies. Forty years ago Superman: The Movie helped a worldwide audience “believe a man can fly,” upping the ante with groundbreaking cinematic special effects. Twenty years ago, New Line released Blade, and Hollywood, finally, keyed in on the profitability of Marvel’s stable of characters, understanding that superhero flicks not starring Batman or Superman could still draw an audience.
The Incredible Hulk (2008)
Iron Man 2 (2010)
Beginning with #1
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The Institute of Idle Time 